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That Defining Moment:
On Anti-Muslim Films, Cartoons, and My Gaza
Neighbor
By Ramzy Baroud
Al-Jazeerah, CCUN, October 1, 2012
A neighbor of mine, of many years ago from a Gaza refugee camp,
was a sacrilegious person par excellence. Unemployed like most inhabitants
of the camp, he was extremely poor. His family responsibilities were
daunting, yet prolonged Israeli military curfews made it impossible for him
to find a job, let alone venture outside his miserable one-bedroom house to
puff on cheap brand cigarettes, which he often borrowed from some other
neighbor. When life pushed Ghassan beyond his ability to cope, he
would go to his house’ courtyard and begin to shout, shrieking most
imaginative profanities against everything sacred. His howls would often end
with muffled cries and tears, especially once he realized that he had
crossed every sacred line there was to cross, including those pertaining to
God, the Prophets (no one in specific) and all the holy books. But
when Israeli soldiers dragged Ghassan out of his house and ordered him to
curse at Allah and to insult the Prophet Mohammed - otherwise they would
have beaten him senseless - he obstinately refused. It’s not that the man
would not compromise, for he had already walked on all fours, barked like a
dog and spit grudgingly at a poster of Yasser Arafat. But Allah and the
Prophet is where he drew the line. Ghassan retold the story many times, even
long after the scars on his face healed, and his broken arm was once again
useful. And in no time, he resumed his regular blasphemy whenever life
pushed him passed that dreadful, breaking point. During military
curfews, Israeli soldiers often got bored. When all refugees were locked in,
and no stone-throwing kids taunted them in the camp’s small alleys, the
soldiers would break down a few rickety doors and entertain themselves by
humiliating hapless refugees. The practice was widespread and recurring. Men
and boys would often comply with all sorts of requests, but many remained
steadfast when the soldiers’ demands reached God and the Prophet. Many bones
were broken that way, too many to count. Spiritual, religious
figures and symbols often represent the last hope to which poor, humiliated
and disenfranchised people cling onto with absolute ferocity, for that hope
is their last line of defense. Without it, all is lost. Palestine
has often served as a microcosm for a larger ailment, which many Muslims see
as the lowest point of their collective humiliation that spans generations.
Although Muslim solidarity with Palestinians is often wrapped up in
religious symbols and slogans, in reality it is the degradation of the
individual (as a representation of the Ummah – the nation) that troubles
them most. Palestine, however, is no longer the only low point. In
the last two decades, other Muslim nations joined a growing list:
Afghanistan, Iraq, Yemen, Sudan, Somalia, Libya and so on.
Insulting Islamic symbols often represents that breaking point for many
Muslims. The phenomenon is too obvious to miss. Long before Salman Rushdie’s
‘Satanic Verses’ became a cause célèbre among western governments and
intellectuals, supposedly so keen on shielding ‘freedom of speech’ from the
hordes of vengeful Muslims: Offending Muslims somehow managed to survive all
phases of political correctness that western countries experienced in recent
decades. It was hardly surprising that the latest anti-Islam video
– The Innocence of Muslims – was directed by a pornographer, promoted by
rightwing hatemongers, and championed by the very self-righteous
‘intellectual’ elements that hailed every American military adventure in
Muslim countries. Those who are using the film, and the much violence and
anger it generated, to preach ‘freedom of expression’ and such, are either
willfully ignorant or know nothing of the political context behind all of
this. Similarly, it was not the single act of the Danish newspaper
Jyllands-Posten publishing of the offensive Mohammed’s cartoons in 2005, nor
Pastor Terry Jones’ burning of the Holy Quran antics in 2010 that enraged
many Muslims. It was the identity of the perpetrators – as western, American
– that placed the insults in an already unbearable political context: The
sexual and physical abuse of Iraqi prisoners in Abu Ghraib, the insanity of
Bagram prison in Afghanistan, the torture and unlawful imprisonment of
Muslim detainees in Guantanamo, the millions of dead, maimed and displaced
and a thousand more such examples. Those who insist on placing
‘Muslim rage’ (the cover story of a recent Newsweek edition) within some
futile discussion over freedom of speech are only confusing the issue.
Offensive cartoons targeting Prophet Mohammed were published in numerous
countries including newspapers in Africa, South America and even some Arab
countries. There was no uproar. South Africa’s Mail and Guardian is
notorious for attempting to add fuel to the fire, desperate for
international attention. In 2010, shortly before the World Cup, cartoonist
Jonathan Shapiro hoped to break away into international stardom with an
offensive cartoon in the same newspaper, to no avail. Only local Muslim
communities reacted, and the issue was more or less forgotten. Why?
Is it because Muslims are more tolerant to freedom of speech in Chile,
Estonia and Peru, than the US, Denmark and France? Or is it because the
former are involved in no wars that continue to humiliate Muslims, pushing
them to the brink like my old Gaza neighbor? Just as the protests
were building momentum, a NATO airstrike on September 16 killed eight women
in the Afghani province of Laghman. Thousands of angry Afghans, helpless
before the recurring lethal strikes, roamed the streets in tears chanting
anti-US slogans, burning US flags and more. Their 'rage' over the film was
accentuated by the deadly strike. Few in mainstream media even bothered to
link both events, as if the intention is simply to maintain that Muslims are
irrational and that their misguided logic is deserving of no consideration
whatsoever. When I saw Pakistani, Afghani, Yemeni, Lebanese and
other protesters rallying against the constant provocation emanating from
western countries, I couldn’t help but think of Ghassan. Demanding Muslims
to become more ‘tolerant’ as their most sacred symbols are being desecrated,
while the smoke of NATO bombs continues to fill the Afghani-Pakistani
horizon, is not much different than demanding an unemployed, broken and
despairing man to sit on all fours, bark like a dog and repeat slurs
targeting Prophet Mohammed. As irreverent to religion as Ghassan was, that
moment defined his very humanity. He refused to obey the soldiers, and the
beating commenced. - Ramzy Baroud (www.ramzybaroud.net)
is an internationally syndicated columnist and the editor of
PalestineChronicle.com. His latest book is My Father Was a Freedom Fighter:
Gaza’s Untold Story (Pluto Press, London.)
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