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	Systematic Israeli State Terror  
	By Stephen Lendman 
	Al-Jazeerah, CCUN, September 12, 2011 
	   Despite his own cross to bear, Turkey's Prime Minister Recep 
	Tayyip Erdogan got it right calling Israel responsible for "state terror." 
	  In fact, it's official policy, ongoing for decades against non-Jews, 
	especially Palestinians without letup.   According to the Palestinian 
	Center for Human Rights (PCHR), from August 18 - 24 alone, Israel launched 
	41 air strikes against Gaza, killing 17 Palestinians, including two children 
	and a doctor, wounding 20 others, and destroying or damaging a number of 
	facilities attacked.   During the same period, Israeli forces 
	conducted at least 27 military incursions into Palestinian West Bank 
	communities, arresting 77 civilians.   On September 5, Press TV said 
	Israeli settlers torched a mosque in Qusra village near Nablus "when they 
	threw burning tires inside it."    As a result, fire damaged the walls 
	and ceiling. They also broke windows, threw rocks at Palestinian vehicles, 
	wrote insulting graffiti about the Prophet Mohammed and Israeli social 
	justice protestors, and drew the Star of David on the wall of Ayman Tayseer 
	Omran's house, located near the mosque.   Condemning the incident, 
	PCHR this and others "are carried out in the context of incitement practiced 
	by the Israeli government against the Palestinian people, which encourages 
	settlers to continue their attacks."   It's not the first time mosques 
	have been attacked and for sure not the last, nor many other ways extremist 
	settlers vandalize Palestinian property with impunity, and commit acts of 
	violence, including murder.   None of this gets reported by Western 
	media, especially America's, or when done, one-sided bias for Israel is 
	expressed, and/or reports are sanitized, omitting key facts.    For 
	example, New York Times writer Fares Akram headlined his September 6 
	article, "Gaza: Israelis Kill Militant," saying:   An Israeli attack 
	helicopter killed Khaled Sahmoud "after (its) forces carried out an 
	incursion into Gaza....and clashed with members of a small militant group, 
	shooting at them and receiving mortar fire back, according to the Israeli 
	military and officials of....the Popular Resistance Committees."   
	Israel accused him and other militants of "carr(ying) out the terrorist 
	attack from the Sinai region of Egypt on southern Israel last month that 
	killed eight Israelis."   Akram's article was little more than a 
	propaganda piece, a virtual IDF press handout, presenting its version of 
	events as fact.   A previous article contradicted the official 
	account, accessed through the following link:   
	
	http://sjlendman.blogspot.com/2011/08/another-israeli-false-flag.html 
	  It cited compelling reasons to hold Israel responsible for killing its 
	own citizens to incite fear, ahead of the September General Assembly vote on 
	Palestinian statehood and full UN membership, as well as because of weeks of 
	social justice protests Netanyahu very much wants diffused and ended. What 
	better way than to change the subject.   Like America, Israel doesn't 
	hesitate killing Jews as well as enemies when its purpose is served. That's 
	one definition of terrorism. Webster's Collegiate Dictionary calls it "an 
	intense, overpowering fear....the use of terrorizing methods of governing or 
	resisting a government."     The US Code defines it as involving:   
	(A) "violent acts or acts dangerous to human life that are a violation of 
	the criminal laws of the United States or of any State, or that would be a 
	criminal violation if committed within the jurisdiction of the United States 
	or of any State;"   (B) are intended to -     (i) 
	"intimidate or coerce a civilian population;     (ii) influence 
	the policy of a government by intimidation or coercion; or     
	(iii) affect the conduct of a government by mass destruction, assassination, 
	or kidnapping; and   (C) occur primarily outside the territorial 
	jurisdiction of the United States...."   The US Army Operational 
	Concept for Terrorism (TRADOC Pamphlet No. 525-37, 1984) shortens the above 
	definition to be "the calculated use of violence or threat of violence to 
	attain goals that are political, religious, or ideological in 
	nature....through intimidation, coercion, or instilling fear."   It's 
	state terrorism when committed by nations against anyone - other states, 
	groups or individuals, including state-sponsored assassinations.   
	It's also illegal violence to influence behavior, inflict punishment, take 
	revenge, or accomplish other illegal aims. Israel commits it regularly - 
	terrorism, in one form or other, against Palestinian civilians.   Last 
	April, a masked gunman killed General Director of Jenin's (2006-founded) 
	Freedom Theater, Juliano Mer-Khamis, inside his car after leaving the 
	building. A woman with him was wounded. Whether or not Israel was 
	responsible isn't known.   Haaretz writer Avi Issacharoff quoted 
	former resistance leader/now co-theater manager Zakarya Zubeidi calling it a 
	"well-planned assassination. There is one organization or body, central, 
	big, behind this act. This was not a simple operation. There is a big hand" 
	behind it.   Two previous times, the theater was torched because of 
	the type drama it produces.    In remembering a man he admired, Gideon 
	Levy called his documentary "Arna's Children" the best film about the 
	occupation he ever saw. Nothing "approaches its emotional impact or captures 
	the way in which the trasher of the occupation methodically destroys the 
	lives of everyone in its path - and (yet) those in its way resist it no 
	matter what."   Levy called it a work of genius, as well as 
	representing the inspirational courage of Mer-Khamis' mother and the 
	humanity of Jenin's children.   Whether or not Israel killed him or 
	ordered his death, it certainly had motive to silence a powerful voice 
	against occupation and injustice.   Despite his death, the theater 
	remains threatened. In late July, Israeli forces targeted it. A press 
	release recounted what happened, saying:   The sound of "heavy blocks 
	of stone" hurled at the building's entrance woke night guard/technician 
	student Ahmad Nasser Matahen. "As he opened the door, he found masked and 
	heavily armed Israeli Special Forces around the theater."   He thought 
	they'd kill him. Location manager Adnan Naghnaghiye "was arrested and taken 
	away to an unknown location together with Bilal Saadi," a theater board 
	member.   When its general manager, Jacob Gough, and co-founder, 
	Jonatan Stanczak "arrived on the scene, they were forced to squat next to a 
	family of four small children surrounded by about 50 heavily armed Israeli 
	soldiers."   When Stanzak and others tried explaining they were 
	attacking a cultural venue and arresting its members, they were told to shut 
	up and were threatened. When they later tried contacting Israel's civil 
	administration, the person answering hung up. No explanation of why this 
	happened was gotten.   On August 25, Israeli forces again surrounded 
	the theater around 2:00AM, beat the security guard, ransacked his home, then 
	abducted him and two others.   Stanczak called Israel's behavior 
	"systematical harassment (and) scandalous. This proves that the Israeli army 
	and security apparatus is either lost in their investigation or that they 
	have the actual intention of damaging the theater. It also seems that after 
	the murder of (Mer Khamis, the theater) is no longer exempted from the kind 
	of oppression (Palestinians are) subjected to in general."   Twice 
	earlier, the theater was torched. On April 16, 2009, a press release 
	headlined, "The Freedom Theatre Under Attack!" saying:   "In the 
	morning of April 15, 2009, an unknown individual set fire to The Freedom 
	Theatre in Jenin Refugee Camp, Occupied Palestine. The main door of the 
	theatre was completely burned, but the fire did not spread inside the 
	building and the theatre remains largely unharmed."   "This was the 
	second (arson) attempt....On the night when Al Kamandjati Music Centre in 
	Jenin was devastatingly set on fire three weeks ago, there was also a failed 
	attempt to destroy The Freedom Theatre."   In addition, for weeks, 
	Israeli security forces have systematically harassed and raided The Freedom 
	Theater on the pretext of investigating Mer-Khamis' assassination.   
	General manager Gough called it "tactics to damage us," adding:   "An 
	investigation into murder should be done in certain ways, not kidnapping 
	people, torturing them and trying to make them confess."   It suggests 
	something more sinister is involved. Perhaps Israel wants Palestinians 
	blamed for its own crime. It wouldn't be the first time.   Access the 
	theater's web site through the following link:   
	
	http://www.thefreedomtheatre.org/   Calling itself "the only 
	professional venue for theatre and multimedia in the north of the West Bank, 
	(it) offers children, youth and young adults in the Jenin area a safe space 
	(to) express themselves, to explore their creativity and emotions through 
	culture and arts."   "It provides them with opportunities to develop 
	the skills, self-knowledge and confidence which can empower them to 
	challenge present realities and to speak out in their own society and 
	beyond."   For these and other reasons, Israel wants documentaries 
	like "Arna's Children" and other productions silenced. It wants militarized 
	occupation  continued, land theft through settlement expansions 
	unchallenged, voices for liberation suppressed, and others resisting 
	occupation imprisoned or killed.   It wants no opposition to its worst 
	crimes, including terrorizing and virtually imprisoning an entire population  
	for the crime of not being Jews. It wants the myth of its victimhood 
	believed, to be able to commit crimes of war and against humanity with 
	impunity. It wants the right to do any damn thing it pleases and get away 
	with it, within or outside the law.   It wants the power of creative 
	expression eliminated to remove a motivating voice for popular resistance. 
	As a result, The Freedom Theatre threatens what no longer is tolerable to 
	allow - preventing freedom for all Palestinians on their own land in their 
	own unoccupied sovereign country.   It's an idea whose time has come. 
	It's a threat Israel will use any means to stop. It's the obligation of 
	everyone to stand for what's right over wrong. It's time 44 years of 
	occupation ended so Palestinians again can be free.    It's what 
	everyone everywhere deserves in peace under governments representing all 
	their people, not just the privileged few. It's an idea worth fighting for. 
	It's why all popular struggles exist and deserve universal support because 
	nothing is more important.   A Final Comment   Mer-Khamis' 
	mother, Arna, the inspiration for his "Arna's Children" documentary, founded 
	the original theater in 1988 after witnessing the first Intifada's 
	devastation.   On February 24, 2006, Maureen Clare Murphy's Electronic 
	Intifada article headlined, "Photostory: Freedom Theatre in Jenin aims to 
	plant the seeds of dignity," saying:   The theater's opening the 
	previous week showed "(t)he spirit of resistance has not been beaten out of 
	Jenin..."   "Calls by speakers for the Palestinians to stand firm 
	despite Israeli and American pressure resonated with the crowd, men on one 
	side of the hall and women and children on the other."   Adorning the 
	theater's walls were photos of the original theater Arna Mer-Khamis created, 
	a Jew from a Zionist family, married to a Palestinian. Her picture is 
	displayed inspirationally in the middle of the arranged montage.   In 
	1993, she was awarded the Right Livelihood Award, called the Alternative 
	Nobel Prize presented annually "for outstanding vision and work on behalf of 
	our planet and its people."   She donated her $50,000 award to the 
	original Jenin camp Stone theater she founded.   In 2002, it was 
	destroyed during Israel's attack on Jenin, killing dozens, cutting it off 
	from outside help, destroying hundreds of buildings (many with people buried 
	inside under rubble), cutting off power and availability of food and water 
	from the outside, and refusing to let help come in (including medical aid). 
	  Despite the recurrent threat of Israeli violence, "the forces behind 
	The Freedom Theatre are undeterred" in their mission to use "(c)culture (to 
	plant) the seed of human dignity" and inspiration to resist.   Why 
	else would Israel want Theater principals silenced and their vision stopped 
	by whatever means it takes.   Stephen Lendman lives in Chicago and can 
	be reached at 
	lendmanstephen@sbcglobal.net.    Also visit his blog site at 
	sjlendman.blogspot.com and listen to cutting-edge discussions with 
	distinguished guests on the Progressive Radio News Hour on the Progressive 
	Radio Network Thursdays at 10AM US Central time and Saturdays and Sundays at 
	noon. All programs are archived for easy listening. 
	  http://www.progressiveradionetwork.com/the-progressive-news-hour/ 
	
  
       
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